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plastique n : an explosive material that is easily molded around the object it is intended to destroy syn plastic explosive Source: WordNet. Princeton University
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EXCLUSIVE: Brother of USS Cole Victim Speaks Out In a Democracy Now! exclusive we speak with Anton Gunn, brother of Cherone Louis Gunn, one of the 17 US servicemen killed in the Oct. 12, 2000 attack on the USS Cole. In his first extensive interview, Anton Gunn says, "There's no doubt in my mind that 9/11 could have been fully thwarted." He discusses the investigation of the Cole attack and his frustrating dealings with FBI. [includes rush transcript] http://www.democracynow.org/article.pl?sid=04/03/30/1522243Explosive Hardening - Metal Hardening Process - Bonded Metals PA&E performs the explosive shock hardening metal working technique to generate a work hardened surface on a fabricated metal part as part of our precision machining process. http://www.pacaero.com/products/explosive-hardening.htmExplosive Hardening - Metal Hardening Process - Bonded Metals PA&E performs the explosive shock hardening metal working technique to generate a work hardened surface on a fabricated metal part as part of our precision machining process. http://www.pacaero.com/products/explosive-hardening.htmBomb type and tactics point to al-Qaida
 As FBI agents launched an investigation into the bombing of the UN headquarters in Iraq, Paul Bremer, the country's top civilian administrator, yesterday highlighted three groups of suspects - Baathist supporters of Saddam Hussein, members of the Iraqi Ansar al-Islam organisation, and foreign Islamist militants. http://www.guardian.co.uk/world/2003/aug/21/alqaida.iraq 19105
La structure de la matiere: Du ciel bleu a la matiere plastique (Liaisons scientifiques) (French Edition) by Andre GuinierCNRSJeanloup Sieff : Hommage a quatre-vingt treize derrieres choisis pour leurs qualities plastiques, intellectuelles ou morales Jeanloup Sieff photo book "derrieres"(Japan edition) All photo pages Poetry Plastique by John CageGranary Books/Marianne Boesky GalleryAccompanying a unique exhibition at the respected Marianne Boesky Gallery in New York, this book is a remarkable combination of the work of poets and artists, that explores in new ways the relationship between the visual and the verbal. In his preface, Charles Bernstein writes: "Not words and pictures but poems as visual objects. Not poems about pictures but pictures that are poems. Not works closed in a book but hanging on a wall or suspended from the ceiling or rising from the floor or sounding from inside a figure or embedded with paint on a canvas or written in the sky or flickering on a screen." Co-curator Jay Sanders explains in his introduction: "We had a gallery and we wanted to flood it with poetry. Not with "poetic" artwork, but with actual poetry, made by poets. But, we have gallery walls, not pages in a book. So we organized a show of art overrun with poetry and a show of poetry riddled with art." Sens-Plastique (Green Integer) by Malcolm de ChazalGreen Integer Irving Weiss’ stunning translation reveals a new masterwork to the English-language reader. Baudelaire's "Argot Plastique": Poetic Caricature and Modernism by Ainslie Armstrong McLeesUniversity of Georgia PressExploring the poet’s fascination with the affective power of caricature, Baudelaire’s “Argot Plastique” charts the movement in Baudelaire’s poetry toward a language of visual distortion. McLees demonstrates that caricature, graphically and culturally a vehicle of sharp wit and social commentary, became in Baudelaire’s works a poetic expression of the human condition itself. Using its capacity for deflating commentary to subvert the poetic conventions of his age, transferring its range of subjects into a poetry that celebrated the underclass, Baudelaire ultimately focused the lens of poetic caricature on the relation of subject, artist, and viewer. Richly illustrated with lithographs, etchings, and drawings by Goya, Daumier, Grandville, Gavarni, and other caricaturists, Baudelaire’s “Argot Plastique” reveals the importance of caricature as a model for Baudelaire’s poetry. L'art et l'hynose: Interpretation plastique d'oeuvres littéraires et musicales (French Edition) by Émile. MagninUniversity of Michigan Library |
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